Review: Mac Demarco, Salad Days
By Emmett H Robinson Smith
Mac Demarco doesn't ease into his new album Salad Days. The full-band jam
all begins at once, and the first few seconds of the album give the impression
of being right in the middle of things. It seems, in fact, to pick up where his
2012 album 2 left off. The same tinny, airy guitars are
as prominent in Salad Days as
they were on 2, as is the
don't-worry-too-much-about-your-life-problems motif. The rather morbid opening
lines, "As I'm getting older, chip upon my shoulder / Rolling through
life, to roll over and die" are tossed off so matter-of-factly that if you
didn't know English you'd figure that Mac was talking about something as
innocuous as putting his socks on.
There aren’t many musical departures on this album, but
that isn’t the point of Mac’s music. In this respect, he can be seen as a
somewhat alternative counterpart to Jack Johnson: Both artists are masters of
the accessible, easygoing groove. As an Entertainment
Weekly reviewer wrote about Johnson’s 2005 album In Between Dreams, which is applicable to Salad Days as well, “He’s so laid-back, it’s hard to tell when he’s
worked up.” However, the relative lack of musical exploration and emotional
diversity is in part what makes Mac’s music so compelling. It serves to
complement his lyrics, which are wry, simple, and universal: “Treat her better,
boy / If havin’ her at your side’s something you enjoy / If havin’ her in your
life’s really so important to you now”, he sings in highlight track “Treat Her
Better”. To accompany these honest, unpretentious lyrics with intricately
complex musical arrangements would defeat their purpose.
Things take a slight musical turn in the tune “Passing Out
Pieces”, in which a shimmering, accordion-like synthesizer complements a once
again worry-free groove. The trademark guitars are still a feature, as is Mac’s
nonchalant tongue-in-cheek singing. But that accordion is about as weird as it
gets on Salad Days, which amplifies
the concise, focussed nature of the 11-track work he has created here. The
songs aren’t hugely diverse, but they’re different enough that the album sets
and maintains a relaxed mood without it getting tiresome.
The album closes with a humble statement from Mac: “Hi
guys, this is Mac, thank-you for joining me, see you again soon, buh-bye.” This
heartwarming, smile-inducing final thought is significant in the context of the
album. If there’s a time when our problems seem to vastly outweigh our
solutions in life, it’s valuable to have a guy like Mac telling us not to take
anything too seriously. And, it’s reassuring to know that it isn’t the last
we’ve heard from this chilled-out dude.


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